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next:
16/11/2021/Art Association Freiburg/ 6pm
Works by:
Mirela Ivičević/Clemens K. Thomas (UA)/Donnacha Dennehy (DE)/Lucia Kilger/Sonja Mutić /Michael Bell
ensemble scope
featuring: Evangelische Studierendenkantorei Freiburg
Supported in the newcomer series by MehrKlang eV The network for new music in Freiburg
Registration: info@mehrklang-freiburg.de
ensemble scope
ensemble scope Sees itself as a flexible body of sound, as an instrumental and vocal collective, as a combination of composition, electronics, light, video, performance, set design, taking up current events and processing them artistically .
scope is curated by conductor Friederike Scheunchen, composer Clemens K. Thomas and composer and sound director Lucia Kilger .
Support association zeug und quer eV .
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previous:
sur:face
:: music :: voice :: performance :: dance :: electronics ::
ensemble scope
Premieres by Clemens K. Thomas, Lucia Kilger and Ria Rehfuss as well as works by Brigitta Muntendorf and Alexander Schubert
Visuals, set design + equipment: Cornelius Reitmayr
Electronics + sound direction: Lucia Kilger
A project by Zeug&Quer eV
22/10/2020//Fribourg
But I won't give in... Ways of women composers between the 17th century and today
Carola Bauckholt: Fuel
Lingyi Dong: 余音缭绕, commissioned composition, world premiere
ensemble scope
Lecture by Meike Senker
In the series of events 'Women* educate Freiburg'
As part of the city anniversary 900 years of Freiburg
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09/01/20 #whenwesaid. voices in the room and other things. Music_Theatre_Language_Performance_Electronics
Cross-genre musical theatre
Art Association Fribourg
As part of the city anniversary
900 years of Fribourg
Three musical theater world premieres at the Kunstverein Freiburg.
Nicolas Berge - Composition
Clemens K. Thomas - composition and production management
Lucia Kilger - composition, sound direction and production management
Friederike Scheunchen - musical director and production manager
Tobias Gralke - Text and dramaturgy
Ingrid Schorscher - choreography and dramaturgy
w/ensemble scope: Vocal ensemble (SSSAAATTBB), violin, violoncello, clarinet, percussion, harp, live electronics, sound direction, video and amateur choir: Kammerchor ChorNetto Titisee-Neustadt
A project by zeug&quer eV
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04/11/19 art&shock IV: Ripple effect
debut concert
Humboldt Hall Freiburg
Series by the Institute for New Music and the Office for Equal Opportunities at the Musikhochschule Freiburg
Carola Bauckholt (*1959): Drive (2011)
for flute, clarinet, violin, viola, cello, double bass, percussion, piano and tape
Johannes Schöllhorn (*1962): II. Contrapunctus IV, from: Anamorphoses (2001-2004)
9 movements based on the Art of Fugue by JS Bach
for clarinet, bass clarinet, violin, viola, cello, double bass, piano and accordion
Brigitta Muntendorf (*1982): shivers on speed (2013)
for bass flute, bass clarinet, violin, cello and piano
Luciano Berio (1925-2003): Folk Songs (1964)
for mezzo-soprano, flute, clarinet, percussion, harp, viola and cello
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The focus of #alsichwirsaiten is the collective, the we.
Many individual voices combine to form a larger body of sound and act as a group - what value and how much freedom of choice does the individual have? How far does it distance itself from itself in order to exist in a group and thus meet the need for community? Does a group of individuals form a we at all?