top of page









16/11/2021/Art Association Freiburg/ 6pm


Works by:

Mirela Ivičević/Clemens K. Thomas (UA)/Donnacha Dennehy (DE)/Lucia Kilger/Sonja Mutić/Michael Bell

ensemble  scope

featuring: Evangelische Studierendenkantorei Freiburg

Supported in the newcomer series by MehrKlang eV The network for new music in Freiburg


Flyer waves.jpg

ensemble  scope


ensemble  scope  Sees itself as a flexible body of sound, as an instrumental and vocal collective, as a combination of composition, electronics, light, video, performance, set design, taking up current events and processing them artistically .


scope  is curated by conductor Friederike Scheunchen, composer Clemens K. Thomas and composer and sound director Lucia Kilger .  


Support association zeug und quer eV .  

als ich wir sagten - Onlineflyer.jpg






  :: music :: voice :: performance :: dance :: electronics ::

ensemble  scope

Premieres by Clemens K. Thomas, Lucia Kilger and Ria Rehfuss as well as works by Brigitta Muntendorf and Alexander Schubert

Visuals, set design + equipment: Cornelius Reitmayr

Electronics + sound direction: Lucia Kilger

A project by Zeug&Quer eV


But I won't give in... Ways of women composers between the 17th century and today

Carola Bauckholt: Fuel
Lingyi Dong: 余音缭绕, commissioned composition, world premiere

ensemble  scope

Lecture by Meike Senker

In the series of events 'Women* educate Freiburg' 

As part of the city anniversary 900 years of Freiburg


09/01/20 #whenwesaid. voices in the room and other things. Music_Theatre_Language_Performance_Electronics

Cross-genre musical theatre

Art Association Fribourg

As part of the city anniversary

900 years of Fribourg





Three musical theater world premieres at the Kunstverein Freiburg.

Nicolas Berge - Composition
Clemens K. Thomas - composition and production management
Lucia Kilger - composition, sound direction and production management
Friederike Scheunchen - musical director and production manager
Tobias Gralke
  - Text and dramaturgy
Ingrid Schorscher - choreography and dramaturgy

w/ensemble  scope: Vocal ensemble (SSSAAATTBB), violin, violoncello, clarinet, percussion, harp, live electronics, sound direction, video and amateur choir: Kammerchor ChorNetto Titisee-Neustadt

A project by zeug&quer eV


04/11/19 art&shock IV:  Ripple effect

debut concert

Humboldt Hall Freiburg  

Series by the Institute for New Music and the Office for Equal Opportunities at the Musikhochschule Freiburg

Carola Bauckholt (*1959): Drive  (2011)

for flute, clarinet, violin, viola, cello, double bass, percussion, piano and tape


Johannes Schöllhorn (*1962): II. Contrapunctus IV, from: Anamorphoses (2001-2004)      

9 movements based on the Art of Fugue by JS Bach 

for clarinet, bass clarinet, violin, viola, cello, double bass, piano and accordion


Brigitta Muntendorf (*1982): shivers on speed (2013)

for bass flute, bass clarinet, violin, cello and piano


Luciano Berio (1925-2003): Folk Songs (1964)

for mezzo-soprano, flute, clarinet, percussion, harp, viola and cello


The focus of #alsichwirsaiten is the collective, the we.
Many individual voices combine to form a larger body of sound and act as a group - what value and how much freedom of choice does the individual have? How far does it distance itself from itself in order to exist in a group and thus meet the need for community? Does a group of individuals form a we at all?

bottom of page